  | 
Stephen Cohn |   
 
American Folk Concerto for Guitar and Orchestra
| Instrumentation | Guitar soloist 2Fl.(Picc.), 2Ob.(Eng. Hrn.), 2Cl., 2Bsn. 2Hrn., 3Trpt., Trmb., B. Trmb. Timp., 2Perc. Celesta, Hrp. Stgs. |  
| Length | 27 Minutes |  
| Difficulty | Moderate for orchestra. Virtuostic for Guitar |  
| Comments | American Folk Concerto for Guitar and Orchestra was composed for  Angel Romero by Stephen Cohn. Angel will premiere the piece. 
   The concerto is based on well known American folk melodies with the  composers own themes woven into the fabric. There are three movements  which are titled: 
  I. "Go West" - American Spirit  II. Fall of the Twin Towers - Lost Loves and Heroism  III. Romancing Our Natural Beauty - The American Heart 
  I have had a great love and respect, since childhood, for the melodies  on which the piece is based. So in composing the concerto, I have  attempted to balance my desire to present the simple beauty of these  melodies with the opportunity to write a virtuoso concerto for an artist  like Angel Romero. I found this challenge to be very inspiring and  emotionally stirring beyond my expectations. |  
| Sources | Stephen Cohn scohnmusic@earthlink.net 818-842-0092 |  
| Extras | Please see my website http://www.stephencohn.com/ for information about my music, including mp3 excerpts. |  
| History | Angel Romero is most anxious to premiere the work. It has not  been performed. |  
| Contributor | Stephen Cohn, composer and publisher ASCAP |  
| Other |  |  
 
 
Finale, from Two Together, an American Folk Music Suite
| Instrumentation | Fl., Ob., Cl., Bsn., Hrn. 2Perc., Hrp., Celesta, Stgs. |  
| Length | 10 minutes |  
| Difficulty | Easy |  
| Comments | This work is the Finale from a suite of eight pieces, each of  which is a free-handed theme and variations on a well known American  Folk song. The Finale contains the most important ideas of the suite. It  was written for a recording that was intended to be family  entertainment. It is melodic and lyrical and quite accessible to all  audiences but still contains elements of twentieth century harmony and  couterpoint. |  
| Sources | Stephen Cohn scohnmusic@earthlink.net 818-842-0092 |  
| Extras | Please see my website http://www.stephencohn.com/ for information about my music, including mp3 excerpts. |  
| History | The work was commissioned and then composed for a recording which  took place in Prague. It was released on a CD by the At Peace Media  Label. The recording won a Parents' Choice Gold Award. In Mach of 2006,  Finale was performed by the Kansas City Symphony. |  
| Contributor | Stephen Cohn scohnmusic@earthlink.net ASCAP |  
| Other |  |  
 
 
Anticipation of Light
| Instrumentation | Picc., 3Fl. 3Ob., 3Cl., 3Bsn., C. Bsn., 6 Hrn., 3 Tmpt., 3 Trmb.,  Tb. Timp. 2 Perc., Hrp., Celesta., Stgs. |  
| Length | 8.5 Minutes |  
| Difficulty | Hard |  
| Comments | Anticipation of Light was formed from a reaction to a troubling  time for those with a humanistic view of life and the universe. When  news of war and unspeakable acts of violence dominate the airwaves and  fill us with terror and seemingly unanswerable questions, from what  point of view can an artist speak - what does a creative voice have to  offer?  I found a little spark of light in the center of all my feelings  of darkness and doubt about our future - a spark that seemed to burn  more brightly and be more significant than all the chaos and pain. It is  from this place that Anticipation of Light was created. 
   It is a twenty first century work which employs both textural and  harmonic writing styles. There are themes which recur and are developed  and there are textural areas which also reappear. The form is quite  clearly delineated. 
   The mood ranges from bright to nostaglgic to forceful. |  
| Sources | Stephen Cohn scohnmusic@earthlink.net 818-842-0092 |  
| Extras | =Please see my website http://www.stephencohn.com/ for information about my music, including mp3 excerpts. |  
| History | The work was commisioned, originally as a piano trio to be  performed at a festival in the south of France in 2004. Recently, in  looking at the score, I started to hear it as an orchestral work and so  it was re-composed and orchestrated to it's current form. |  
| Contributor | Stephen Cohn scohnmusic@earthlink.net |  
| Other |  |  
 
 
[ Catalog Home ]
[ Alphabetical ]
[ Contributors ]
[ Difficulty ]
[ Forces ]
[ Submissions ]
[ Submission Guidelines ]
 
  |